國立臺灣美術館(藝術銀行) / National Taiwan Museum of Fine Arts(ARTBANK TAIWAN)

artbank.ntmofa.gov.tw/Default.aspx

雜耍兒 / The Juggler  (Partial)

CUEI Yong-Yan / 2009 / 50x38x25cm / FRP、 stainless steel

藝術家崔永嬿透過系列作品「蹬蹬腳尖兒馬戲劇團」，創造一群存在於幻想世界的小矮人。透過這件作品，反映現實生活中小人物的心情。 In her series The Circus of Den-Den-Ciao-Jean, artist CUEI Yong-Yan builds a fantasy world populated by little circus performers.The artist reflects real human moods in this piece.

編碼者 – 第一幕 / Transcoder - Act One  (Partial)

HUANG Chien-Hua / 2015 / 110x214cm / Photography

黃建樺以攝影結合電腦技術，創造出幻想性的場景，反映數位化的後現代生活。藉由動物，隱喻社會中生存機制；數位化的拼貼方式，則預告著人們將進入社群文化重新編碼的時代。 HUANG Chien-Hua combines photography with computer technology to create a fantasy landscape to reflect upon the post-modernist and digitalized world. Animals were used as an analogy for the survival-oriented aspect of society, while digital montages predict that people will be soon entering an era where social networking is re-defined.

資本主義的撞衫事件

Clashes of Capitalism: Wardrobe Woes  (Partial)

LIU Yi-Lan / 2011 / 150x130 cm / Acrylic

藝術家則認為，氣質蘊藏於差異之中，唯有用心經營內在，才能散發出與眾不同的韻味。以藝術創作孕育自身的第二生命，並以繪畫作為反省的手段，展開對社會結構的審視與對抗。 In contrary, the artist believes that personality traits lie on the difference and only inner beauty can transpire the different taste of the person. LIOU Yi-Lan develops her second career in life through art creation, using painting as a retrospective approach to carry out the review and opposition to social structure. The social roles of Taiwanese females have unfolded the image of profound life under her brushes.